To fancy a filmmaker is to fancy his shoes, his eyes, his legs, the way he drools when he sleeps, and the drugs he does. Pedro Mercedes Almodóvar Caballero, known on the screen simply as “Almodóvar,” fancies himself. Each film he writes is glazed with his life’s sticky resin, polished and bruised in tandem. Such eccentric sincerity is a phenomenon built over time, and understanding Almodóvar’s journey helps us understand what informs his filmmaking.